The overall “master” control in this preset has additional saturation and compression over all three bands. Use the volume knob in the channel rack or insert a plugin with volume control, like Fruity Balance or Fruity Panomatic, ahead of Soundgoodizer to adjust those levels. Keep in mind, the more you drive the signal into the plugin with overall volume, the more you’ll saturate and compress the sound. Plus, each band has slight compression with the high and low band utilizing the limiting function in Maximus. Both the low and high band have some saturation, which will add more harmonics, giving the sense of more fullness to the sound. The mid-range is actually slightly spread out into the stereo field, while the highs are left as is. However, you still may hear an enhancement in the low end because the stereo width is completely collapsed to mono, which can tighten up things like sub, bass, 808s and kick drums. You’ll hear an immediate enhancement in the mids and highs because the leveling of this preset lowers the low frequencies and increases the other two bands, with the high band being increased the most. Preset A has a 3 band-split divided into lows, mids and high frequencies. The purpose of Soundgoodizer is to simplify and highlight the multitude of controls inside of Maximus into one wet/dry knob within 4 presets. It’s a combination of compression, limiting, saturation and stereo manipulation. If you open up Maximus in FL Studio, you’ll be able to access the same Soundgoodizer presets, “A, B, C and D.” There, you’ll get a better understanding of what exactly Soundgoodizer is doing to your tracks. At the top of the plugin, you’ll see that it says “Powered By Maximus.” Maximus is a multiband processor that can be used to master your project or mix individual tracks or busses.
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